CHECK TO HAVE LINKS OPEN NEW WINDOWS

Loading...




Vox populi: "In building bridges across communites, this site supports the efforts of Beliefnet.com and religioustolerance.org." Says Seeker of Truth (Reviews & Testimonials) @ xomreviews.com
The Blog Content Map is helpful organizing diverse material/content. Codakiz

 
  Browse By Label: Blog Content Map
Map
  Blogging    Books    Business--Religious aspects    Diversity   
    You are here
      Cyber Worship       Faith and the Media    Golden Rule   Holidays and holy days     Inner-Net    Interfaith Dialog
      
Knowledge Management    Libraries and Librarians    Multicultural
    People Prayers    Religious accommodation    Seekers     Spiritual Audit
      Symbols    Theology    Tolerance    Web analytics    Women

Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Saturday, September 27, 2014

Toronto's Aga Khan Museum -- Media Monitoring


"Artifacts are displayed on two floors, in large, high-ceilinged, discreetly lit white rooms with teak floors. The main-floor space prefaced by a corridor illuminated by an arresting series of video animations, has its treasures arranged chronologically on an L-shaped footprint, and is decidedly Catholic in its presentation. ...
The world, of course, has many museums and galleries with space devoted to Islamic art. Toronto’s own Royal Ontario Museum, for example, has a curator of Islamic decorative art and its Wirth Gallery of the Middle East contains Islamic artifacts. But the Aga Khan Museum is being touted as the only institution in North America dedicated solely to the panoply of Islamic art – painted illustrations, ceramics, weavings, calligraphy, scientific instruments, paintings, clothing, myriad editions of the Koran. ...

Bentley noted that to many Westerners, Islam is a stern theocratic monolith when, in reality, it’s been a multiplicity of dynasties and civilizations encompassing more than 1,000 years, its reach extending far beyond the Arabian Peninsula to Spain, Africa, Indonesia, the Indian subcontinent and the gates of China. “Our biggest message here really is diversity,” Bentley said, “and how Islam has always responded to local traditions.” Moreover, it’s “not true there is a prohibition against figurative images in Islamic art,” she said. Yes, there is no figuration in the Koran nor images in mosques but, as the Aga Khan Museum shows, figural motifs – human, animal, fanstastical (including dragons and harpies) – were a staple of Islamic artistic expression."
-- [source: Toronto's Aga Khan Museum, opening this week, is a world-class showcase for Islamic art, JAMES ADAMS, The Globe and Mail]




  • Aga Khan Museum: Enlightened Islam Fights Back Against Jihadist Brutality Newsweek
    -- "And the Aga Khan has funded not only the museum but also donated its permanent collection of more than a thousand treasures including .."
  •  Treasures await at new Museum of Islamic Art: Siddiqui Toronto Star
    "American museums — such as the Met and the Morgan in New York, the Library of Congress and the Smithsonian in Washington — have significant collections of Islamic arts and manuscripts. So do museums in London, St. Petersburg, Paris and Berlin. But there’s none that exclusively showcases the artistic, intellectual and scientific contributions of Muslim civilizations. For that, you have to go to Muslim lands — museums in Istanbul, Cairo, Kuala Lumpur, Doha, Kuwait and elsewhere. Each offers something unique — Qatar, a landmark building by I.M. Pei and a remarkable collection acquired in a short time; Kuwait, Mughal jewelry and rare Qur’ans; Turkey,the treasures of the Ottoman Empire; Malaysia, a focus on the Far East.
    The Aga Khan’s collection is small, about 1,000 precious items, examples of great artistry on bowls, boxes, bottles, beads, dishes, vases, jars, cabinets, hangings, coins, candle stands, jewelry, musical instruments, etc., in different mediums — ceramics, glass, shells, metal, stone, wood, leather, carpets, textiles and paper."
  • PM and Aga Khan open Ismaili Centre and the Aga Khan Museum, Toronto Star
  • A timely testament to Islam, Editorial, Toronto Star + ‘Pluralistic spirit' unites Canada, Aga Khan,:
    • Sigmund Roseth, Mississauga
    Your editorial applauding the opening of the Aga Khan Museum notes that the lush gardens on the 17-acre site are “there for all to enjoy — in a part of the city hardly renowned for grace and beauty.”
    Perhaps your readers would like to be reminded there are six lush city parks within about a one kilometer walk of the Aga Khan. They include E.T. Seton Park, Serena Gundy Park, Wilket Creek Park, Charles Sauriol Conservation Area, Moccasin Trail Park and, of course, the magnificent Edwards Gardens.
  •  Stephen Harper on hand for Aga Khan museum, CBC News

  • Yet, Stephen Harper would like us to know that he does not hate Muslims and is committed to peace and diversity – after all, both he and notorious Canadian Immigration Minister Jason Kenney were present to launch the new museum and heap praise upon the Aga Khan and the initiative. Why the seeming disconnect? Why We Don't Need an Islamic Art Museum, (Especially not courtesy the Aga Khan and Stephen Harper) by SUMAYYA KASSAMALI
  • Saturday, April 06, 2013

    The concept of four sides in religio-cultural spaces


    "Abraham's Tent was open to the four winds... and  how this reflects in other traditions... Read more @ Facebook: Abraham's Tent

    PS. The hypotheses one may consider, and an analysis is left for another post includes, a long list of propositions, such as: a) open from all four sides is symbolic of acceptance, inclusiveness and openness?; b) is it the best way to see it working seamlessly with the spirit (sacred), humans, time, energy and space? c) What is a four sided shape called: Cube (e.g., Kaba), Quadrilaterals, tetragon, square, NEWS (e.g., North, East, West and South, e.g., Medicine Wheel in the Native Spirituality), four (Persian/Hindi char = four)? d) what is the relationship of four sided symbols in Mandala (Buddhist), caturbimba (four sided views as in Jainism), or Chowmukha temple in RANAKPUR, Rajasthan (meaning the four sided/faced temple), or Charminar (four minaret facing four directions)?
    "Abraham's Tent was open to the four winds. It was a safe place of hospitality towards strangers. It was the first "Hostel" in the world.
    And Abraham hastened into the tent to Sarah, and said: "Quickly make ready three measures of fine meal, knead it, and make cakes."....Teaches Us that having guests is not only a Mitzvah but a source of blessings! (Under any circumstances). " [source: Parashat Vayetze]

    "Our greatest model for welcoming others into our community comes from our patriarch, Abraham. A well known Midrash (Genesis Rabbah 48:8) teaches us that Abraham kept his tent open to the four winds of the Earth – north, south, east and west – so that guests could enter his home from any direction. According to the Midrash, Abraham didn’t even ask passersby who they were or where they were going; he simply welcomed them into his tent, bathed their feet and offered them food and a place to rest." [source]

    "SIKHS built four doors to the Golden Temple at Amritsar, in north India, to welcome believers from all four corners of their earth. But in the five centuries since, few religions have followed that tolerant example. Hindus and Muslims fight fiercely over religious ruins in ancient Ayodhya. Christians have long wrangled among themselves, and with other faiths, over Jerusalem’s holy places." [source: Shared worship spaces: God’s new digs, The best multifaith prayer rooms are those where architects bow out, Mar 23rd 2013 The Economist]

     "Unlike erecting the structure on the higher level(a tradition in Hindu Temple architecture), Guru Arjan Sahib got it built on the lower level and unlike Hindu Temples having only one gate for the entrance and exit, Guru Sahib got it open from four sides. Thus he created a symbol of new faith, Sikhism. Guru Sahib made it accessible to every person without any distinction of Caste, creed, sex and religion."[source: Sri Harmandir Sahib, also known as Sri Darbar Sahib or Golden Temple]

    "The physical space of a ritual is, in IE (Indo-European) religion, generally square or rectangular – the Romano-Celtic temples and Celtic Viereckschanzen, Roman templa and Greek temenos, Zoroastrian pawis, Vedic sacrificial grounds. A square or rectangle is oriented towards the four spatial directions; it maps the macrocosm, which is oriented in this way. It is also oriented towards the four personal directions (front/back, left/right) -- it maps the microcosm. The mesocosm of space ordered in this way thus maps in both directions, forming a link between them. This linking is expressed in language, as in the etymological connection between "right" and "south" -- compare Latin dexter, "right," with Sanskrit dakshina, "south," both coming from Proto-IE *deks-, "right." Microcosm and macrocosm are here defined by the same terms." [source: The Place of Ritual, Ceisiwr Serith]

    "Identifying the Aztec temples has been a tricky job at times. It's been easy to simply assume that large, monumental structures such as pyramids are all either palaces or temples, but that may not be the case. Still, we do have a good understanding of what happened in the religious areas and how the many of the buildings looked hundreds of years ago. Often a whole area of a city would be dedicated to religious activities. Some monuments would be made to specific gods. Some were built for specific celebrations. The buildings you probably associate with the Aztec religion are the great pyramids. These were four sided, stable structures that can withstand the earthquakes that are common in the area. These would have stairs up one side, and a flat top, often with a shrine on the top." [source: Aztec Temples]

    "Mount Kalaish has a mandala-like, or mandalic,  character, with its perfect four sides oriented toward the four winds.  Mandala's are prominent in both Buddhism and Hinduism, where the preferred term is yantra. The psychologist Carl Jung recognized the special nature of the mandala, which he regarded as symbolic of the unconscious self.  With it's four symmetrical sides, it represents the four information-processing functions of the psyche: sensation,  intuition, thinking and feeling.  The center of the mandala represents the self, the true, integrated core of an individual's psyche.  What is perceived by the self/soul is filtered by the functions, which represent how an individual views and evaluates the world around her.  The self or, to use religious motifs, the soul at the center holds all things together." [source: The Four Sided Mountain]

    "The four directions of the Medicine Wheel remind us of many things, such as the need for balance in the world, and the balance we must strive for everyday within ourselves. Here you will begin to get an idea of a few of those many teachings and connections that are in the circle. Everything comes in fours, so it’s easier to digest, easier to learn. The four direction teachings go clockwise, beginning in the east. But before we travel around the wheel, let’s look at the Centre." [source: Four Directions, Aboriginal, OJIBWE/ POWAWATOMI (ANISHINABE)]

    "Sultan Muhammad Quli Qutb Shah, the 5th ruler of the Qutb Shahi dynasty built Charminar in 1591 AD, Year after repair, rain damages Charminar minaret shortly after he had shifted his capital from Golkonda to what is now known as Hyderabad. He built this famous structure to commemorate the elimination of a plague epidemic from this city. He is said to have prayed for the end of a plague that was ravaging his city and vowed to build a masjid (Islamic mosque) at the very place where he was praying. In 1591 while laying the foundation of Charminar, Quli Qutb shah prayed: "Oh Allah, bestow unto this city peace and prosperity. Let millions of men of all castes, creeds and religions make it their abode, like fish in the water." The Mosque became popularly known as Charminar because of its four (minars = towers)..."
    "The Charminar is a square structure with each side 20 meters (approximately 66 feet) long, with four grand arches each facing a fundamental point that open into four streets. At each corner stands an exquisitely shaped minaret, 56 meters (approximately 184 feet) high with a double balcony. Each minaret is crowned by a bulbous dome with dainty petal like designs at the base. Unlike the Taj Mahal, Charminar's four fluted minarets are built into the main structure. There are 149 winding steps to reach the upper floor. The sturcture also known as profuseness of stucco decorations and arrangement of balustrades and balconies. Dawn." [source]

    On the same shelf:



  • Geertz, Clifford, Religion as a cultural system
  • Journey to the Four Directions - Pointers in Sacred and Shamanic Work by Ashley Costanzo
  • The TENT OF ABRAHAM, SARAH, AND HAGAR SERVING THE ONE
  • Monastic Interreligious Dialogue | Abraham's Hospitality to strangers ...
  • Sons and Daughters of Abraham:An Interfaith Journey of Hospitality
  • About the Tent of Abraham
  • Abraham's Tent Offers Hospitality -- This year Turkish Cultural Center Connecticut and Peace Islands Institute participated in the Abraham's Tent organized by the Columbus House.
  • Abraham's Tent בסיעתא דשמיא بسم الله ‎ | A Virtual Home for Abraham's Children | ‎Abraham's Tent בסיעתא דשמיא بسم الله ‎:
  • Center for Interfaith Engagement -- Eastern Mennonite University
  • Related Posts with Thumbnails

    PostRank

     

    Google
    Web multifaith.blogspot.com